11.11.2023 - Prozkoumejte nástěnku „Belmondo Jean-Paul“ uživatele Eva Anna, kterého na Pinterestu sleduje 1 252 lidí. Podívejte se na další nápady na téma herci, herec, ursula andress. foto of ursula andress jean paul belmondo up to his ears 1965 BP8M00 for fans of Jean-Paul Belmondo 41439447. Jean-Paul Belmondo Club registrarse New Post. Add fotografia of ursula andress with jean paul belmondo in up to his ears1965 C5JXCY for fãs of Jean-Paul Belmondo. Ursula Andress and Jean-Paul Belmondo in Up to His Ears (1965) Close. 23 of 25. Up to His Ears (1965) 23 of 25. Ursula Andress and Jean-Paul Belmondo in Up to His Jean-Paul Belmondo, the French actor who shot to international fame in Jean-Luc Godard’s revolutionary new wave classic Breathless, has died aged 88. The actor’s lawyer confirmed the news to AFP . penggunaan listrik berikut yang dapat membahayakan keselamatan adalah. 297,280,041 stock photos, 360° panoramic images, vectors and videosEnterpriseLightboxesCartSearch for imagesSearch for stock images, vectors and videosCaptions are provided by our detailsContributor:MARKA / Alamy Stock PhotoFile size: MB ( MB Compressed download)Dimensions:2533 x 3780 px | x 32 cm | x inches | 300dpiMore information:This image could have imperfections as it’s either historical or andress with jean paul belmondo in Up to His Ears,1965Search stock photos by tags Stock photos, 360° images, vectors and videosEnterpriseLightboxesCartHi there!Create an accountBuy imagesSell imagesLightboxesContact usLightboxesShare Alamy images with your team and customersCreate a lightbox ›EnterpriseFind the right content for your market. Learn more about how you can collaborate with homeEducationGamingMuseumsTrade booksTravelTV and filmBook a demoSearch for imagesSearch for stock images, vectors and videosFilters(0)See ursula andress with jean paul belmondo stock video clipsSearch Results for Ursula andress with jean paul belmondo Stock Photos and Images (0) Jean-Paul Belmondo Ursula Andress © NANA PRODUCTIONS/SIPA 08/12/2016 à 11:34, Mis à jour le 08/12/2016 à 11:41 Invité d'Europe1, après la sortie de son livre «Milles vies valent mieux qu'une», Jean-Paul Belmondo est revenu sur son long parcours professionnel et personnel. Il a notamment raconté l'une de ses disputes avec Ursula Andress avec qui il a partagé sa vie pendant sept ans. Des cascades, Jean-Paul Belmondo en a fait. Pourtant, un soir dans les années 60, l'acteur qui s'est incarné dans des rôles de casse-cou désinvolte va faire une cascade inattendue. A l'époque, il est en couple avec Ursula Andress. Loin de se résumer à son physique, la mythique James Bond girl possède un sacré caractère. Mécontente que Bebel ait trop bu, elle verrouille la porte de leur maison. Le Magnifique trouve alors une solution pour rentrer chez lui: «Je suis rentré, il était très tard. J'ai décidé de prendre l'échelle pour monter par la fenêtre. J'allais frapper quand la fenêtre s'est ouverte. C'était Ursula qui hurlait "Tu n'as pas honte?". Elle a alors balancé l'échelle et moi avec. J'allais casser les vitres pour rentrer mais elle m'a jeté une boule de plomb. J'ai dit "on arrête"», raconte-t-il encore amusé au micro d'Europe1 . Il rassure très vite: «On s'est réconciliés après». Jean-Paul Belmondo et Ursula Andress ont formé un couple iconique pendant sept ans. Une relation passionnelle dont l'acteur se souvient avec tendresse. A lire: Jean-Paul Belmondo : "J'ai décidé de dire la vérité" La suite après cette publicité "Je n'ai pas peur de la fin" Jean-Paul Belmondo ne garde que le positif de ses nombreuses expériences. Selon lui, son sourire éternel est dû à un mental de fer. Un mental que lui a forgé son éducation: «Je crois que je suis né avec le moral. Ma mère et mon père me disaient toujours, "si tu as des ennuis, tu vas les vaincre", et j'ai toujours vaincu», a-t-il confié à la radio . Après son AVC, en 2001, il raconte que tout ce qui l'a aidé à tenir est l'espoir de rejouer un jour: «C'était un coup dur parce que je ne parlais presque pas et j'avais dans la tête "il faut que je parle pour pouvoir jouer" ». Aujourd'hui de nouveau capable de parler, l'homme ne se sent pas pour autant capable de revenir sur un plateau de tournage: «J'ai envie parfois et parfois non. Je ferai bien l'acteur mais je pense à comment on ferait. Il faudrait un accident, un rôle de malade. Alors j'aime mieux rester chez moi». Après plus de 50 ans de carrière, Jean-Paul Belmondo se dit heureux et serein: «Je n'ai pas peur de la fin, j'ai eu une très belle vie, formidable. J'ai commis quelques péchés, un peu beaucoup. Mais j'aimerais que l'on dise de moi que j'étais un bon acteur, que j'ai fait rire copains, les gens aussi, c'est très bien». Retrouvez notre grand hors-série consacré à Jean-Paul Belmondo en vente dans tous les kiosques. Contenus sponsorisés Personnalités Sur le même sujet Jean-Paul Belmondo, who has died aged 88, was the actor who more than any other epitomised the French Nouvelle Vague. In Breathless (1960), one of the most influential films of the last six decades, the 26-year-old Belmondo played Michel Poiccard, who steals a car in Marseille, kills the policeman who follows him and hides out in Paris with his American girlfriend (Jean Seberg).What struck one immediately were the thick, sprawling lips – on to which was stuck a Gauloise – the broken nose, and the sunglasses, suit, tie and hat worn as a homage to the great US gangster prototypes, especially Humphrey Bogart. At one stage, Poiccard looks at a film poster, runs his fingers over his lips and sighs: “Bogie.”Despite the tough exterior, Belmondo gave the impression of fragility, with his pale, delicate skin and soft voice. The New York Times reviewer found him “hypnotically ugly” and “the most effective cigarette-mouther and thumb-to-lips rubber since time began”.An Italian poster for Breathless (À Bout de Souffle, 1960). Photograph: Snap/Rex/ShutterstockBecause of Belmondo’s relaxed, naturalistic acting technique, it was assumed that the dialogue had been improvised, but it was written by the film’s director, Jean-Luc Godard, who nevertheless would not allow the actor to learn his lines but cued him during takes. In the final sequence, the camera chases Belmondo as he continues to run after being shot. As he dies, he looks up at his girlfriend, smiles knowingly and says: “C’est dégueulasse!” (“It’s shitty!”).Because Belmondo projected an anti-conformist image, he was immediately dubbed “le James Dean français”, and after Paul Newman saw him in Paris in the early 1960s he commented: “Why, he’s one of us.” When Jean Gabin, from the golden age of prewar French cinema, co-starred with Belmondo, the darling of the New Wave, in Un Singe en Hiver (A Monkey in Winter) in 1962, he told him: “Kid, you’re me at 20.”There was even a wave of “Belmondism”, manifesting itself in a particular style of offhand, narcissistic behaviour. Of his joli-laid looks, Belmondo commented, “Hell, everybody knows that an ugly guy with a good line gets the chicks.” At the age of 19, he had married a dancer, Élodie Constantin. In 1966 while starring in Philippe De Broca’s Up to His Ears, he and Ursula Andress fell for each other, and Élodie, the mother of their three children, filed for a way, it is absurd that, following Breathless, Belmondo soon chose to withdraw more and more from the New Wave directors and go into commercial films with few artistic demands – vehicle thrillers, adventure movies and acrobatic comedies, in which he became repetitious and self-parodic. The actor Claude Brasseur remarked: “Despite everything, I think it’s a pity for him making popular films because he could enjoy his métier so much more. I remember at the Conservatoire he did astonishing things. Alas, now he has become a sort of stunt man de luxe.”Catherine Rouvel, Mario David and Jean-Paul Belmondo in Borsalino, an American-type gangster movie, 1970. Photograph: Paramount/AllstarWhat was most dispiriting about his career was that French audiences seemed to prefer it that way. When reproached, Belmondo replied: “My public expects a certain type of picture, and I’m not going to let them down.” Secure in his pre-eminence, producing many of his films himself, “Bebel”, as he was affectionately known in France, all but guaranteed a hit a year, few of which crossed the Channel or the Atlantic. Belmondo, who did not speak English, never made it to Hollywood, preferring to make American-type gangster movies such as Borsalino (1970), opposite Alain Delon, who shared top place in the box-office polls.“Nothing impresses him. No danger, no risk, nothing serious, nothing important, nothing explained,” said the journeyman director Henri Verneuil, with whom Belmondo made eight pictures. “He never reads a scenario ahead of time. Never thinks out his role. Never says, ‘How was I in the last scene?’ Never makes suggestions.”He was born in Paris, the grandson of an Italian workman from Piedmont who had emigrated to French Algeria. His father, Paul Belmondo, was a leading academic sculptor and a professor at the École Nationale Supérieure des Beaux Arts, and his mother, Sarah (nee Rainaud-Richard), was a painter. The rebellious Jean-Paul, whose schooldays were turbulent, studied drama at the Paris Conservatory following a brief career as an amateur boxer, and for several years performed in the classics on stage in the provinces before entering the Belmondo and Serge Reggiani in Jean-Pierre Melville’s Le Doulos (The Finger Man), 1962. Photograph: The Criterion Collection/AllstarAs Breathless was Godard’s first feature, it was assumed, by some critics, that it was also Belmondo’s. In fact, Belmondo appeared in supporting roles in nine films before his “overnight” rise to fame. One of his first roles was for Marcel Carné in Les Tricheurs (The Cheaters, 1958), and the following year his portrayal of Bernadette Lafont’s uncouth Hungarian fiance in Claude Chabrol’s À Double Tour (Web of Passion) prefigured the Breathless strong was the impact of his persona in Breathless that his restrained performances as affectionate and humane characters in Vittorio De Sica’s Two Women (1960), Peter Brook’s Moderato Cantabile (1960) and Jean-Pierre Melville’s Léon Morin, Priest (1961) came as a surprise, revealing an actor of a wider range than his subsequent filmography acknowledges. “He is the most accomplished actor of his generation,” claimed Melville. “He can play any given scene in 20 different ways, and all of them will be right.”Belmondo made two further films for Melville, both in 1963: Le Doulos (The Finger Man) and L’Aîné des Ferchaux (Magnet of Doom). In the former, he suppressed his magnetic charm in the part of a sly, safecracking stool pigeon. But it was Godard who gave him his last great role, in Pierrot le Fou (1965). Belmondo as Ferdinand, dissatisfied with Parisian life, and with his wife, sets off on a picaresque journey to the south with Marianne (Anna Karina), getting involved with her criminal activities on the was a similarity between Ferdinand and Michel Poiccard – both are on the run, both are unable to assimilate into society, and each is betrayed by the woman he loves. However, Ferdinand is a more romantic and intellectual figure, acting out an existential tragedy of the transience of love. At the end, having fatally shot Karina and her boyfriend, Belmondo paints his face blue, places sticks of dynamite around his head and lights the fuse. He has second thoughts, but it is too late. “Damn, it’s too absurd!” he says before being blown Belmondo and Ursula Andress started an affair while they were filming Up to His Ears, 1965. Photograph: United Artists/AllstarWith challenging opportunities becoming rarer and rarer after Breathless, his acceptance of roles in François Truffaut’s Mississippi Mermaid (1969) and Alain Resnais’s Stavisky (1974) reminded audiences of his qualities. In the latter, Resnais cleverly subverted Belmondo’s charm and virility, the source of his success as a popular star, to play the notorious real-life 1987 he returned to the stage to play the title role in Kean, the Dumas drama reinvented by Jean-Paul Sartre, and was an excellent Cyrano de Bergerac three years later, also appearing in Feydeau’s A Flea in Her Ear for his own theatre company at the Théâtre Marigny in Paris. One of his last films to have received an international distribution was Les Misérables (1995), Claude Lelouch’s effective updating of the Victor Hugo classic to the Nazi occupation, with Belmondo in his most challenging screen role since the 60s as an uneducated ex-boxer who befriends an intellectual Jewish 2001, Belmondo suffered a stroke, which kept him off the stage and screen until his brief return in A Man and His Dog (2008), based on De Sica’s 1952 film Umberto D. Although he had difficulty walking and speaking, he played a character with the same disabilities. However, no matter what Belmondo did, most serious film commentators would continue to see him as the young rebel who rode in on the New second marriage, to the dancer Nathalie Tardivel, ended in divorce in 2008. Their daughter, Stella, survives him, along with a daughter, Florence, and son, Paul, from his first marriage. Another daughter from his first marriage, Patricia, died in a fire in 1994. Jean-Paul Belmondo, actor, born 9 April 1933; died 6 September 2021 El mundo de cine se viste de luto por la muerte a los 88 años de Jean-Paul Belmondo, uno de los rostros más icónicos y carismáticos del séptimo arte francés de todos los tiempos. Eterno seductor, el popular actor galo de origen italiano no solo protagonizó un sinfín de títulos sino que vivió muy intensamente en lo personal, tanto que su propias memorias las llegó a bautizar con el nombre de Mil vidas mejor que una. Nacido en París en 1933, era hijo de un conocido escultor y tuvo dos hermanos, Alain, productor cinematográfico y Muriel, bailarina profesional. Aficionado al fútbol y al boxeo en su juventud, Jean-Paul logró forjarse un físico atlético y una nariz quebrada que le darían no pocas ventajas en su carrera en la gran pantalla, al explotar inteligentemente su peculiar aspecto como pícaro y canalla. De hecho, fue apodado como "el feo más atractivo" del séptimo arte en su país. VER GALERÍA VER GALERÍA Stella, hija pequeña de Belmondo, en el baile de debutantes de París con las hijas de Julio Iglesias En 1953, se casó a los veinte años con la bailarina Elodie Constantin, con la que tuvo tres hijos, Florence, Patricia (fallecida trágicamente en un incendio) y Paul, pero la pareja acabó divorciándose en 1966. Amigo de otro mito del celuloide francés como es Alain Delon, Jean-Paul interpretó escenas amorosas con grandes estrellas de la época como Gina Lollobrígida, Sofia Loren, Brigitte Bardot o Catherine Deneuve, entre otras. Al parecer, con las dos últimas tuvo algo más que una relación estrictamente profesional y sus idilios en la ficción traspasaron la pantalla. Sin embargo, uno de sus romances más sonados fue con la actriz Úrsula Andress, la que por entonces era catalogada como "mujer más sexy del mundo" gracias a su papel como 'chica Bond'. Sin embargo, fue en 1972 cuando rodando una película conocería a Laura Antonelli, con la que estuvo durante 17 años. Jean Paul Belmondo, padre de una niña a los 70 años de edad VER GALERÍA VER GALERÍA Después, el incorregible galán del cine francés mantuvo una relación con una mujer brasileña de nombre Carlos Sotto Mayor, cuyo físico impresionó al mismísimo presidente de la República francesa, Jacques Chirac. En 1999, Jean-Paul fue hospitalizado tras sufrir un infarto cerebral y, dos años más tarde, volvió a sufrir un problema similar que le llevó un tiempo a estar en silla de ruedas aunque logró recuperarse bien. En 2002, contrajo matrimonio en segundas nupcias a los 69 con la corista Natty Tardivel, de 41, su compañera desde hacía trece años. En 2008, se divorciaba de su esposa y madre de su hija Stella, niña por la que sentía auténtica devoción. Tras la separación, se enamoró de la belga de 27 años Bárbara Gandolfi, ex 'chica Play-boy' con la que rompería en 2012. Sin duda, la vida sentimental de Jean-Paul Belmondo fue de lo más agitada, lo que casi daría para hacer un película de acción y romance -o serie biopic de varios capítulos- como las que él mismo nos deja en su extenso legado. Jean Paul Belmondo se casó en París con Natty Tardivel VER GALERÍA

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